Artist Interviews (GuitarPlayer, Keyboard, Electronic Musician, and others)
“Steve Hackett”. Guitar Player, July 2000.
The guitarist from Genesis’ classic period discusses developments in his solo career..
“Paul O’Dette”. (pdf 888K) Guitar Player, June 2000, p. 50.
One of the world's foremost performers of Renaissance and Baroque lute and guitar.
“Howe it’s Done”. Progression, Winter/Spring 1999-2000, pp. 20-24.
Extensive interview with Steve Howe during his tour for Yes’ album The Ladder.
“Heroes: Steve Howe”. (pdf 679K) Guitar Player, March 2000, p. 23.
Short career retrospective for the guitarist from Yes, Asia and GTR.
“Progressive Project”. (pdf .3.3MB) Guitar Player, October 1998, pp. 55-60.
Interview with Robert Fripp, Adrian Belew, and Trey Gunn and their ProjeKct II recording and tour.
“Jon Lord”. (pdf 1.0MB) Keyboard, June 1998, p. 20.
Career retrospective and interview during Deep Purple’s Purpendicular tour.
“Prog Day ‘97”. (pdf 512K) Keyboard, December 1997, p. 16.
Report on the Chapel Hill, NC underground progressive rock festival.
“The Musical Box”. (pdf 598K) Keyboard, October 1997, p. 18.
Interview with keyboardist David Myers from the Genesis tribute band from Quebec.
“Monte Moir and The Time”. (pdf 916K) Keyboard, November 1996, p. 14.
Interview concerning Morris Day and the Time’s reunion tour.
“Ben Folds of Ben Folds Five.” (pdf 840K) Keyboard, February 1996, p. 19.
Interview during the tour after the release of the Ben Folds Five album.
“Creative Space: Dynamic Duo”. (pdf 4.8MB) Electronic Musician, January 1996, pp. 74-80.
Interview with Fleming and John on the recording of Delusions of Grandeur
“Bass Mutant Victor Wooten.”(pdf 1.5MB) Guitar Player, January 1991, pp. 16-17.
The first national magazine article on Victor Wooten and his debut with Bela Fleck and the Flecktones.
“Terrell.” Play, November/December 1990, p. 6.
“Prism’s Chris Harris and Mark Heimermann”. Contemporary Christian Music, February 1989, pp. 22-23.
Interview concerning Christian pop production techniques.
“Michael W. Smith: i 2 (Equipment)”. Contemporary Christian Music, September 1988, p. 42.
A short sidebar on the equipment and recording techniques used by Smith on his last album, i 2 (EYE).
“The Musical Word”. (pdf 5.0MB)Music Technology, August 1988, pp. 31-34.
The first of MT’s series on the use of music technology in non-mainstream genres, this article covered contemporary Christian music. It was the first interview given by Amy Grant in almost three years, and coincided with the release of her platinum Lead Me On.
Computer Software Reviews and Applications (Electronic Musician, MacUser, Music Technology 1988-1997)
“Repertoire Music Publisher 2.5.1”. Electronic Musician, February 1991, pp. 108-109.
Product review of the final version of a program for desktop publishing of sheet music on the Macintosh.
“The Dove MaraThon 030 for the Mac Plus”. MacinTalk, May 1990, p. 2.
Report on processor upgrade card. MacinTalk is the monthly newsletter of the Nashville Macintosh users group, Macinteresteds.
“Electronic Arts Deluxe Recorder 1.0 for the Macintosh”. Electronic Musician, February 1990, pp. 106-109.
Product review of a MIDI sequencing program.
“Under Construction”. MacUser , October 1988, pp. 166-167.
Tips on how to work around some of the restrictions of the popular music printing program Deluxe Music Construction Set.
“Graphic Notes Music Publisher 1.01”. Music Technology, August 1988, pp. 60-63.
Product review of a program for desktop publishing of sheet music on the Macintosh.
“Computer Notation”. Music Technology, July 1988, pp. 80-84.
Overview of the field of desktop publishing of sheet music, including a discussion of what to look for in a good program. This was just before the introduction of Music Publisher, Finale and H. B. Engraver.
“Creating Hammond Organ Sounds with Yamaha FM Synthesizers”. Keyboard, May 1988, pp. 22-23.
Additive synthesis programming; Hammond organ performance practice.
Newspaper Columns (The Nashville Scene and Nashvillian, 1991-1992)
Sony Music Nashville Press Releases.
Wheat Williams wrote all the press releases from Sony Music Nashville (Columbia and Epic Records) while working as a freelance consultant in 1990 and 1991.
Sony Music Marketing Newsletters.
The “In Your Ear” six-page monthly newsletter was published by Sony Music’s headquarters in New York and sent to record stores across America to promote new releases. Wheat Williams wrote the Nashville and country music section in 1990 and 1991.
Sony Music Radio Promotion Tip Sheets.
Wheat Williams worked with the Sony Music Nashville radio promotions department to produce the “News You Can Use”, sent each month to country radio stations across the United States.